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Provenance:
Galerie van Loock,
Brussels, ca. 1995; A private collection, Antwerp
Museums and Collections:
The Hermitage, St.
Petersburg; The Wallace Collection, London; The Cleveland Museum of
Art; The National Gallery of Norway; the University of Montana
Museum of Fine Arts; Museums in Antwerp, Berlin, Brussels, Leeds,
Liverpool, London, Nantes, Oslo, Aix, Bremen, Frankfurt, Graz,
Hamburg, Königsburg, Leipzig, Montreal, Nottingham, Reading and
Stockholm. |
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Eugene Verboeckhoven was
born in Warneton near Ypres on June 18, 1798. He died in Brussels
on January 19, 1881. He was born into a family of artists: his father,
Barthélemy, was a sculptor, and his brother, Louis-Charles, was a
painter.
In 1816,
his family moved to Ghent, where he attended the Academie from 1816 to
1818. He was supported by the sculptor, Albert Voituron, and later
by a Ghent patron, Ferdinand van der Haegen. As from 1818, he was a
pupil of Balthasar-Paul Ommegack, from whom he inherited the classical
landscape tradition that led to his best work.
Influenced by the work of Potter and Cuyp, he became an animalier in the
17th-century tradition.
He first exhibited at Ghent
in 1820. He travelled in France (1824 and 1841), Germany (1828) and
Italy (1841) and visited London in 1824 and 1826. In 1827 he settled in
Brussels, where he fought in the War of Independence in 1830. He
established a studio
there, where he taught numerous artists
and collaborated with many of the more important painters of his day;
including De Jonghe, De Noter, Verwee, and Koekkoek. Among the many
honors he received were the Legion of Honour, Order of Leopold, Order of
the Christ of Portugal, and the Iron Cross. His success was
enormous during his own lifetime.
The
location for our sketch is Marche-en-Famenne.
La Famenne is a small region
of Belgium between l'Ardenne and le Condroz. Marche-en-Famenne is a town of 15,000, located in the Belgian province
of Luxembourg.
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