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Provenance:
With
Neumeister Munich, October 20, 1983, lot 540 (as by van Heemskerck
I); with Sotheby's London, April 3, 1985, lot 233 (as by van
Heemskerck I); with Spik Berlin, December 13, 1986, lot 440 (as by
van Heemskerck I), when accompanied by a certificate from Prof. J. Müller-Hofstede
as by van Heemskerck the Elder; Private Collection, The Netherlands,
until 2002. Documented and registered with the RKD.
Museums and Collections:
The Louvre,
Paris; The Fogg Museum of Art, Cambridge; Bowes Museum, County
Durham, England; The National Gallery of Victoria, Australia |
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Egbert van Heemskerck the Elder
figures in the tradition of the great Dutch painters of genre and
peasant scenes of boers and low-lifes carousing, smoking or drinking.
His work fits into the lineage of Adriaen Brouwer and Adriaen van
Ostade, with whom he was exactly contemporary, all of whom owe
allegiance to the earlier masters, Bosch and Brueghel.
Carousing peasants
were an inexhaustible source of amusement to the city dweller, which
accounts for the success of pictures depicting low-life scenes.
The elder van Heemskerck was a
native of Haarlem, and died in London, leaving a son of the same
name who achieved considerable success in England. |
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