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Provenance:
An Asheville, North
Carolina Private
Collection
Museums and Collections:
Public and private
collections throughout the world. |
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German painter, engraver, draughtsman and
publisher, Johann Elias Ridinger was born in Ulm in 1698. He began his
training in 1712 with the Ulm painter Christoph Resch, deriving his knowledge of drawing from Joachim
von Sandrart’s Teutsche Academie (1675–9). In 1716, he went to Augsburg and
associated himself with Johann Falch (1687–1727), under whom
he produced depictions of animals, above all horses, as well as copies of
earlier masters.
On the invitation of Wolf, Freiherr von Metternich, he spent three years in Regensburg: his coursing and
visits to the riding school there proved decisive for his development.
Returning to Augsburg, he learned engraving and etching from Georg Philipp
Rugendas (i) and after 1723 founded an art publishing house, selling
prints that he himself designed and engraved.
Apart from series on
hunting, definitions of breeds of horses and illustrated lessons for
riding and war-horses, there are depictions of wild animals and of
zoological abnormalities. Some 1600 engraved, etched and scratched sheets
show the animals in characteristic movements and positions in a landscape
environment. They are by nature monumental, while their partly ornamental
movements show Rococo stylistic tendencies.
In 1759 Ridinger became
director of the Augsburg Stadtakademie. After his death in 1767, his sons Martin
Elias (1730–80) and Johann Jakob (1736–84) continued to
run the publishing house. The frequent reprints of his most popular series
until well into the 19th century bear witness to the high esteem in which
his work was held, as does their adaptation to other media, such as wall
decoration, porcelain and ceramics. |
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