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Provenance:
The Oratory
at Marino, County Dublin, Ireland, until ca. 1952; Tormey's Auction
Rooms, Dublin, 1952; Capt. Luke Kerr
of Dublin and London; thence by descent.
Museums and Collections:
The Seville
Museum; The
Metropolitan Museum of Art, New York; The J. Paul Getty Museum; The
Louvre, Paris; The National Gallery, London; The National Gallery of
Art, Washington, D.C.; The Prado, Madrid; The State Hermitage
Museum, St. Petersburg; The Wallace Collection, London; The Akademie
der Bildenden Künste,
Vienna; The Cleveland Museum of Art; The Galleria Borghese, Rome;
The Norton Simon Museum, Pasadena; The Alte Pinakotek, Munich; and
countless other museums and private collections |
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Bartolomé Esteban Murillo was born in Seville in 1617, and died there in
1682. Just as Rembrandt dominated Dutch art in the 17th Century,
so it was in Spain that the great painter Bartolomé Murillo stood as a
colossus over the Spanish artists.
It is believed that most of the great Spanish painters of the 17th
century, spent at least some time in his studio, or were certainly
directly influenced by its output.
In 1645, he painted a series of 11 pictures of the history of the
Franciscan order for a monastery. These brought him immediate fame, and
for the remainder of his life he was the favorite painter of the wealthy
and pious Andalusian capital. His early works show the influence of
Zurbarán in the dramatic use of light and shadow.
In 1660 he was instrumental in founding the Seville Academy, of which he
shared the presidency with the younger Francisco de Herrera. From 1670
to 1682, Murillo painted many of his major religious works, including
those for the Charity Hospital and for the Capuchin convent (The Seville
Museum). These religious works, particularly the Madonnas, are noted for
their sweetness of mood. In 1682, while working on the Marriage of
St. Catherine for the Capuchin church of Cádiz, Murillo fell from a
scaffold and died as a result of his injuries. |
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