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Provenance:
The Dukes of
Richmond, Oakly Park, Celbridge, County Kildare, Ireland; thence by
descent in the Lennox family until ca. 1930,
when the partial contents of Oakly Park were sold.
(The formal signature of Charles Gordon Lennox (1781-1860), the 5th
Duke, is attached to the verso of our painting and probably came
with a document at that sale); acquired by Capt. Luke Kerr of
Dublin and
London ca. 1960; thence by descent.
Museums and Collections:
The
Metropolitan Museum of Art, New York; Huntington Gallery, San
Marino, California; The National Gallery, Washington, D.C.; The
National Gallery, London; The National Portrait Gallery, London; The
Museum of Fine Arts, Boston; The Frick Collection, New York; the
British Royal collections; countless museums and collections throughout Britain, America
and the world. |
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Sir Thomas Lawrence was
without doubt one of the most important portrait painters of the 19th
century. He burst on the art scene in London
around 1790, and until his death in 1830, was the dominant force in
British portraiture. His output was quite large. His slick manner
with paint and his ability to make even the most ordinary sitters look
interesting and heroic won him many commissions.
Lawrence painted three ladies of the Lennox family: Emily Lennox (Lady
Berkeley), Georgina Lennox ( Lady Apsley) and Maria Louise Lennox. Our oil
sketch, executed circa 1820, is of the highest quality and is a superb
example of the Regency child portrait. |
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