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Provenance:
Collection
of Dr. Franz Weiss, Vienna; with Kunsthandel Boris Wilnitsky, Vienna
Museums and Collections:
The British
Museum; museums throughout Italy and Austria |
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Adolf Hiremy-Hirschl emigrated to Vienna from Hungary as a young child.
Although trained as a history painter, he had also been friends with
Gustav Klimt
in the Visual Artists Cooperative, before Klimt
left that group to form
the Vienna Secession. He studied at the
Vienna Academy of Fine Arts.
In 1882, he won a prize
for his picture, L'Entrata dei Goti a Roma
('The Entry of the Goths into Rome') and travelled throughout Egypt.
Hirschl visited Rome in 1882-84, where he had his
first direct encounter
with
the classical world. He returned to Rome in
1898, where he spent
the last thirty-five
years of his life.
In the 1890's, the dashing Hiremy-Hirschl
conducted an affair
with Viennese socialite, Isabella Henriette Victoria Ruston, the ravishing
Austrian-born daughter of an English businessman. At the time,
Isabella was
married to a successful businessman in Vienna, Herr Schon.
She
divorced
Schon in 1898 to marry Hirschl, and bore Hirschl
his only child, a
daughter, Maud.
Hirschl deeply resented the intolerant reaction of Viennese society and
at that point changed his name to Hiremy, a name with noble
Hungarian
connotations. He also resumed his Hungarian citizenship
and left Vienna
for good. From 1904 to 1908, he participated in the
exhibitions of
the
Amatori e
Cultori di Belle Arti.
In 1912, he signed the great polyptych,
Sic transit bought by the Rome City Council.
In its 2001 Annual Review, The British Museum
lists a black chalk drawing
by Hiremy-Hirschl as one of the year's "outstanding
acquisitions." |
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