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Provenance:
Christie's London,
October 24, 2001
Museums and Collections:
National Gallery of Art, Washington, D.C.; The Fine Arts Museums
of San Francisco; Musée
du Louvre, Paris; The Tate Gallery, London; The Bowes Museum, County
Durham, UK; The National Gallery of Victoria, Australia; The
Tasmanian Museum and Art Gallery, Hobart, Tasmania |
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John Glover is possibly
the most important landscape painter working outside Europe in the
1830s. He is without a doubt the finest Australian landscape painter
of the early colonial period. His heroes were Richard Wilson
and especially Claude Lorrain. He in fact earned the sobriquet, "the English Claude".
Although posthumously much overshadowed by his contemporaries J
M W Turner and John Constable, Glover did enjoy a successful career
in Regency Britain: as a fashionable drawing master, a prolific
and popular exhibitor, President of the Society of Painters in Water
Colours, gold medallist at the Paris Salon of 1814 and one of the
founders of the Society of British Artists.
In 1831 he emigrated to Van Diemens Land (Tasmania), eventually
settling at Mills Plains on the Nile River, in the island
colonys mid-north. In a new land, a new light, he re-made
his art: with sinuous blackwoods in place of sturdy oaks, Aborigines
in place of classical shepherds, the dappled grey bush in place
of the smooth green shade of European forest. Glover was the first
artist to see and represent the precise differences between Australian
and European landscape.
"John Glover and The
Colonial Picturesque", a major exhibition of Glover's works is
currently on display at the Tasmanian Museum and Art Gallery in
Hobart (through February 2004).
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